Bruce Nauman, catalogo della mostra a cura di Laurence Sillars, Napoli (MADRE, Museo d'Arte Contemporanea Donnaregina, 7 ottobre 2006 - 8 gennaio 2007). Bruce Nauman (b. Perhaps it was late in the year, after Donald Juddâs âSpecific Objectsâ essay had appeared, or perhaps earlier, for example in February, in relation to Juddâs review of Robert Morrisâs Green Gallery exhibition, or in October, after Barbara 1941) White Breathing each: ... Building upon his earlier concrete and fibreglass mouldings including A Cast of the Space under My Chair 1965-1968, ... White Breathing is the ultimate 'parody of the Minimalist obsession with the formal organisation of space' (N. Benezra, 'Surveying Nauman', ed. A total of 100 brightly colored three-word sentences span the arc between life and death. ... tra cui A Cast of the Space Under My Chair ⦠Bruce Nauman, A Cast of the Space under My Chair, 1965-68 23 settembre â Chiara Camoni Costantin Brancusi, Porta, 1914-16 *ottobre â Daniele Balicco Alberto Burri, Cretto di Gibellina, 1989 novembre â Cecilia Canziani Cindy Sherman, Untitled Film Stills, 1977-80 dicembre â ⦠Avvicinatosi allâarte inizialmente come pittore, dal 1965 si dedicata alla produzione di sculture, performance e video. Attualmente vive nel New Mexico. Jun 22, 2017 - Bruce Nauman, A cast of the space under my chair, 1965 - 1968 â © Kröller-Müller Museum A Cast Of Space Under My Chair 1965/68. Collection Access; There are no openly available images. N. x 1 ft. 2 5/8 in. Bruce Nauman nasce nel 1941 a Fort Wayne, Indiana. For me, these works endure and remain the most interesting in the exhibition. Black Marble Under Yellow Light 1981/1988 provides an encounter with Naumanâs unsettling manipulation of space and light, while Falls, Pratfalls and Sleights of Hand (Clean Version) 1993, the final room in the show, acknowledges the themes of bodily presence and human perception that have engaged Nauman throughout his career. EVERY ONCE IN a while I get an artwork stuck in my head. Bruce Nauman and Rachel Whiteread: Spot the difference. And about how people refuse to understand other people." ... A series of works inspired by one of the artist's dreams was brought together under the title of Dream Passage and created in 1983, ... Bruce Nauman in the Mediateca Media Art Space; Brooke Alexander Gallery; Bibliografia. These are extracts from the press release for the Van de Weghe Fine art gallery show âContemporary British Sculptureâ October 4 â December 15 2012. He was staying in an apartment in Düsseldorf, at the invitation of the German gallerist Konrad Fischer. Negli anni â60 studia presso lâuniversità del Wisconsin a Madison e poi presso lâUniversity of California a Davis. Black Marble Under Yellow Light 1981/1988 provides an encounter with Naumanâs unsettling manipulation of space and light, while Falls, Pratfalls and Sleights of Hand (Clean Version) 1993, the final room in the show, acknowledges the themes of bodily presence and human perception that have engaged Nauman throughout his career. ; lavora soprattutto con il neon ⦠"âBruce Nauman"Bruce Nauman's art is about heightened awareness, awareness of spaces we usually don't notice (the one under the chair, out of which he made a sculpture) and sounds we don't listen for (the one in the coffin), awareness of emotions we ⦠An apt example of Nauman's tendency to incorporate elements of performance into his works, this cement sculpture serves to draw our attention to the negative space which exists under a chair â typically overlooked as the focus is on the chair ⦠Bruce Nauman⦠Like Shelf Sinking into the Wall. Sometime in 1965 Bruce Nauman made a plaster cast of the space under his chair. - Scultore statunitense (n. Fort Wayne, Indiana, 1941). 28-02-2013 - Bruce Nauman - A Cast of the Space Under My Chair Kraynak Janet a cura di, Please pay attention please: le parole di Bruce Nauman, Milano, Postmedia books, 2004. Naumanâs version (we are told) was anyway an enactment of a bit of advice from Willem de Kooning, transposed to a different medium (cement): âIf you want to paint a chair, donât paint the thing, but paint the spaces between the ⦠A Cast of the Space under My Chair, 1965-8, concrete, 45 x 39 x 37 cm (17 ½ x 15 3/8 x 14 5/8 in), Kroller-Muller Museum, Otterlo, The Netherlands - Bruce Nauman "I knew Nauman somewhat for about 10 years in L.A., then saw him periodically when he came to New York for shows. 38105 images are available with authorization; descriptions are openly available.. People affiliated with the University of Michigan can log in to view them. A Cast of the Space Under My Chair 1965â8 Concrete Nauman developed the idea for this work during one of his first visits to Europe. (Bruce Nauman). Bruce Naumanâs largest neon piece, One Hundred Live and Die (1984), located on the lower floor, glints at us from afar like a huge advertising billboard. Protagonista della stagione anti-formale che si sviluppò negli anni Settanta in una pluralità di ricerche concettuali, di arte ambientale e di comportamento, Nauman, Bruce è autore di sculture, azioni, environments, progetti, esperimenti con il laser, film, ecc. . Bruce Nauman: 'Jasper Johns poured me a few bourbons ... And as for A Cast of the Space Under My Chair (1965-8), everyone knows ⦠Did Rachel Whiteread know about Bruce Naumanâs A cast of the space under my chair (1966-68) when she began to cast negative space in the late 80s? Rachel Whiteread Untitled 2010. A highly acclaimed and extremely prolific artist, Bruce Nauman has been active since the early 1970s. A CAST OF THE SPACE UNDER MY CHAIR 1965-1968 concrete Collection Geertjan Visser Exhibition copy The drawing for this work was inspired by a remark Nauman attributed to the painter Willem de Kooning:" If you want to paint a chair, don't paint the thing, but paint the spaces between the rungs of a chair." Bruce Nauman âA cast of the space under my chairâ 1968. February 20, 2014 // 0. 17-apr-2017 - "My work comes out of being frustrated about the human condition. During the 1980s, many of Naumanâs works increasingly addressed questions relating to the fundamental conditions of human existence. Sperone Westwater has on view now a Bruce Nauman show of three new unique works: two video installations, Nature Morte (2020) and Walking a Line (2019), and one large-scale sculpture, Two Leaping Foxes (2018). I like that idea very much: the kind of intensity that doesn't give you any trace of whether you're going to like it or not. Johnson Elizabeth, The body of the text: Bruce Naumanâs instructions in Sculputure Journal ⦠21-mrt-2013 - Bruce Nauman, A Cast of the Space under My Chair, 1965 Nauman tied sections of cardboard to the legs of a steel chair. For years, while sketching new sculptures or ⦠Bruce Nauman (born December 6, 1941) is an American artist. / concrete. I riconoscimenti si sprecano quando si parla di lui, Bruce Nauman , lâartista vivente per eccellenza, nato il 6 dicembre 1941 a Fort Wayne in Indiana, e subito incontrastato fulcro centrale delle prime luci elettroniche, quando la sperimentazione aveva ancora fame e i vari Wolf Vostel, Nam June Paik, Allan Kaprow o Giaccari andavano a braccetto fra circuiti chiusi, portapak e ⦠Bruce Nauman (1941) è un mito vivente.La sua influenza sul corso della storia dellâarte è stata profondissima e i giovani artisti che si rifanno al suo insegnamento non si contano. Bruce Nauman negli anni Sessantaâ è una raffinata mostra a tesi organizzata dalla University of California di Berkeley, volta a rivelare la centralità e lâimportanza degli anni giovanili californiani nella germinazione del lavoro artistico di Bruce Nauman. Bruce Nauman / 1 ft. 5 1/2 in. Bruce Naumanâs A Cast of the Space Under My Chair (1965â68) was one such work. Suspended Chair, by Bruce Nauman. Nauman â¹nòomënâº, Bruce. For Nature Morte, Nauman recorded hundreds of images documenting all parts of the studio which viewers are able to explore using an iPad.By simply ⦠x 1 ft. 3 3/8 in. Black Marble Under Yellow Light 1981/1988 provides an encounter with Naumanâs unsettling manipulation of space and light, while Falls, Pratfalls and Sleights of Hand (Clean Version) 1993, the final room in the show, acknowledges the themes of bodily presence and human perception that have engaged Nauman throughout his career. Visualizza altre idee su body art, process art, immagini casuali. . 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